A good choice where the color white is critical, Radiant White formulated for painters who want a "refrigerator white" white. Same tinting strength and opacity as Titanium White. Excellent for abstract paintings. Bright and opaque Titanium Dioxide is bound with safflower oil, the clearest oil binder. Because safflower oil is almost colorless, the bright white of the Titanium pigment shows through Radiant White.

Pigment: Titanium Dioxide (PW6)
Vehicle: Safflower oil
Lightfastness I, Series 2, OPAQU

Reflecting 97.5% of all available light, this most opaque white is the perfect choice for direct painting. Monet would have loved it because he wanted his paintings to look soft, like velvet. The covering power of Titanium White is useful for creating opaque layers, but T-Z White is preferable for color-mixing.

Pigment: Titanium dioxide (PW 6)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 1, OPAQUE

Most useful all-purpose oil painting white. An excellent mixing white, T-Z White combines the soft texture and opacity of Titanium with the creamy transparency of Zinc for less "chalky" mixtures. Consider using T-Z White for color-mixing because it takes so much color to tint Titanium.

Pigment: Titanium dioxide, zinc oxide (PW 6, PW 4)
Vehicle: Safflower Oil
Lightfastness I, Series 1, OPAQUE

The fast drying rate, low oil content, and matte surface quality makes it ideal for underpainting. Using FastMatte Titanium White with traditional oil colors will speed the drying of the resulting mixtures, based on the percentage used.

Pigment: Titanium dioxide
Vehicle: Alkyd resin, refined linseed oil
Lightfastness I, Series 1, OPAQUE

The first true nontoxic alternative to Flake White. It's the leanest of the Gamblin whites and a terrific underpainting white. Its beautiful opalescent quality is of special interest to portrait painters. Flake White Replacement has all the working properties of traditional Flake White: long ropey stroke, warm color, translucency and short brush mark. Not only does our FWR come without the lead but it also doesn't suffer from the fast drying time of traditional formulations, which contributes to the cracking of oil paintings over time.

Pigment: Titanium dioxide (PW 6)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 1, OPAQUE

The most transparent white, Zinc is recommended for glazing, scumbling and alla prima painting. Compared with all other whites, Zinc White has less hiding power. Zinc White dries slowly, so painters who want to paint wet into wet over a long time will find it useful. Because it's brittle, painters should not consider it as a general painting white unless painting on panel.

Pigment: Zinc oxide (PW 4)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 1, SEMI-TRANSPARENT

This is the coolest shade of Cadmium Yellow.

Pigment: CP cadmium zinc sulfide (PY35)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 4, OPAQUE

Cadmium Yellow Light is a bright, cool chemically pure Cadmium color - one step warmer than our Cadmium Lemon. Excellent opacity

Pigment: Concentrated cadmium zinc sulfide (PY 35)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 4, OPAQUE

Pure medium yellow with great opacity and naturally muted tint. This chemically pure cadmium color replaced toxic chrome yellow for the Impressionists. Most useful for natural light painting.

Pigment: Concentrated cadmium sulfide (PY 37)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 4, OPAQUE

Chemically pure deep yellow Cadmium color has excellent opacity and muted tint.

Pigment: Concentrated cadmium sulfide (PY 37)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 4, OPAQUE

This color has been prized for hundreds of years. But only now has the color been made with a completely lightfast pigment.

Pigment: Diarylide yellow HR70 (PY83)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 3, TRANSPARENT

A pale opaque earthy yellow.

Pigment: Zinc oxide, concentrated cadmium sulfide, natural hydrated iron oxide (PW 4, PY 37, PY 43)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, OPAQUE

Hansa Yellows are not Cadmium wannabes! Coolest yellow. Cleaner in masstone, brighter in tint, more transparent, try using Hansa Yellow Light instead of Cad Yellow Light where transparency is desired. Also useful to intensify tint of Cadmium Yellows.

Pigment: Arylide yellow (PY 3)
Vehicle: Alkali refined linseed oil
Lightfastness II, Series 3, SEMI-TRANSPARENT

Its masstone is very similar to Cadmium Yellow Medium but semi- transparent. Clean, bright tint. Use in place of Cadmium Yellow where higher key tint is desired. Also Hansa Yellows' transparencies make them useful for mixing cleaner, brighter secondaries.

Pigment: Arylide yellow (PY 74)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 3, SEMI-TRANSPARENT

While this color has not been tested for Lightfastness by ASTM, it is being used to paint the yellow stripe on city streets! Golden yellow, warmest of the Gamblin Hansas.

Pigment: Arylide yellow (PY 75)
Vehicle: Alkali refined linseed oil
Lightfastness NT, Series 3, SEMI-TRANSPARENT

A truly transparent version of Burnt Sienna. The best of the Old Masters' paints were semi-transparent colors; these new hydrated Mars colors give painters more clarity in transparency and higher tinting strength. Excellent for glazing.

Pigment: Transparent Mars Yellow, Transparent Mars Red (PY 42, PR 101)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 3, TRANSPARENT

Gamblin Cadmium Colors are in regular chromatic steps from Cadmium Yellow Light through Cadmium Red Deep. Chemically pure Cadmium Orange is a medium opaque orange. No health labeling required.

Pigment: Concentrated cadmium sulfo-selenide (PO 20)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 4, OPAQUE

A regular chromatic step between Cadmium Orange and Cadmium Red Light. The color of day lilies in late summer. Chemically pure. No health labeling required.

Pigment: Concentrated cadmium sulfo-selenide (PO 20)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 4, OPAQUE

A modern high key color with a pure hue and the same masstone (but more transparent) than Cadmium Orange, and it remains brighter in its tint when mixed with white. Painters cannot mix a secondary with the same purity of this pure hue Orange. A thinner layer makes a rich glowing glaze.

Pigment: Monoacetolone (PO 62)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 3, SEMI-TRANSPARENT

Our best-selling orange, this is Wolf Kahn's signature color. Noted for its transparency and warm red undertone, it can be used as a completely transparent glazing color. Painters can create subtle color shifts by applying various thicknesses of transparent orange.

Pigment: Diarylide yellow HR 70, Perylene (PY83, PR149)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 3, TRANSPARENT

Cool, slightly bluish red with smoky glaze. 19th century "lake" color made by the fusing a dye on to a substrate. Only Alizarin Crimson is still commonly used by painters today.

Pigment: Synthetic 1:2 dihydroxyanthraquinone on alumina (PR 83), Vehicle: Alkali refined linseed oil
Lightfastness III, Series 3, TRANSPARENT

Cool, slightly bluish red with smoky glaze. Robert Gamblin has mixed lightfast pigments to form a true replacement for Alizarin Crimson. Slightly less intense in tint, but excellent match in masstone and transparency.

Pigment: Quinacridone red b, perylene red, ultramarine blue (PV 19, PR 149, PB 29)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 3, TRANSPARENT

A lightfast replacement for a popular color originally made from berries.

Pigment: Transparent synthetic iron oxide, perylene (PR101, PR149), Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, TRANSPARENT

Orange/red first synthesized in 1910. Because of its muted tints, excellent color for natural light painting.

Pigment: Concentrated cadmium sulfo-selenide (PR 108)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 5, OPAQUE

Darker than Cadmium Red Light. Useful medium red with strong opaque masstone and muted tint; light will not penetrate its surface.

Pigment: Concentrated cadmium sulfo-selenide (PR 108)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 5, OPAQUE

Darkest Cadmium Red with very muted tint. Consider Perylene Red if you prefer a brighter tint or mix Perylene Red with the tint of Cad Red Deep.

Pigment: Concentrated cadmium sulfo-selenide (PR 108)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 5, OPAQUE

Base color for figure painting, less pink than most flesh tones on the market. To create base for other skin types, consider adding Olive Green, Yellow Ochre, Van Dyke Brown or Venetian Red. Consider using as warm white.

Pigment: Titanium dioxide, iron oxide, concentrated cadmium sulfo-selenide (PW 6, PY 43, PR 108)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, OPAQUE

Modern organic warm red that closely matches Cadmium Red Medium in masstone. Makes more intense tints, more transparent. Excellent for high key painting.

Pigment: Napthol AS-D (PR112)
Vehicle: Alkali refined linseed oil
Lightfastness II, Series 2, SEMI-TRANSPARENT

Intense warm modern red that replaces Vermillion. Consider using Portland Greys instead of white to make tints.

Pigment: Napthol AS-OL (PR9)
Vehicle: Alkali refined linseed oil
Lightfastness II, Series 2, SEMI-TRANSPARENT

Elegant modern cool red with yellow undertone. Its transparency looks like the inside color of a flame. Makes high key mixtures.

Pigment: Perylene (PR 149)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 3, TRANSPARENT

Coolest quin red. Makes high key tints and in mixtures makes beautiful transparent violets.

Pigment: Quinacridone Y (PR 122)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 3, TRANSPARENT

Cool lightfast modern red with high key tint. Useful in place of Alizarin Crimson where more intense masstone and mixtures are desired.

Pigment: Quinacridone red b (PV19)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 3, TRANSPARENT

A good drying color that makes a natural-looking tint, this warm, reddish, semi-transparent violet is made from the compound manganese phosphate, first discovered in 1868.

Pigment: Manganese ammonium phosphate (PV 16)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 3, SEMI-TRANSPARENT

Deep violet that is cool in its masstone (and less red than Manganese Violet), Cobalt Violet is a pure hue that cannot be mixed from other colors. Although very muted in its tint, it is a marvel as a top coat color. Cobalt Violet greys down considerably when mixed with white.

Pigment: Cobalt phosphate (PV 14)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 6, SEMI-TRANSPARENT

Mineral color that greys into the colors of the natural world. Warmer than Cobalt Violet, cooler than Manganese Violet and more transparent than either, Ultramarine Violet is one of many specialty pigments made by German chemists during the color revolution of the 19th century.

Pigment: Complex silicate of sodium & aluminum with sulfur (PV 15)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, TRANSPARENT

A cold color with the strongest tinting strength and deepest transparency of all pigments, modern Diox is useful as a high key tint. This purple is so strong that some use it as a black. Diox makes a cold intense tint. Use sparingly.

Pigment: Carbazol dioxazine (PV 23)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, TRANSPARENT

Robert Gamblin loves violets, which is why he added this strong, clean quin violet. More intense than Ultra Violet, warmer than Manganese Violet.

Pigment: Quinacridone Violet (PV 19)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 3, TRANSPARENT

First synthetic color of the Industrial Revolution, discovered by accident in 1704 while a chemist was trying to formulate artificial crimson. Cool blue with more muted tint than Phthalo Blue. It has a high tinting strength, is lightfast, and is especially beautiful in its transparency.

Pigment: Ferri-ammonium ferrocyanide (PB 27:1)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, SEMI-TRANSPARENT

"True blue," first manufactured in 1804. This color is well worth the price because of its working properties and unique color, which cannot be mixed.

Pigment: Oxides of cobalt & aluminum (PB 28)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 5, SEMI-TRANSPARENT

An elegant and intense pure hue that replaces Turquoise.

Pigment: Oxides of cobalt and aluminum (PB28)
Vehicle: Alkali refined linseed oil

Lightfastness I, Series 4, OPAQUE

A great glazing color, warm Ultra Blue is one of the few mineral colors that is completely transparent. Lightfast with moderate tinting strength. Consider using Alizarin Permanent instead of Alizarin Crimson to mix violets.

Pigment: Complex silicate of sodium & aluminum with sulfur (PB 29)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, TRANSPARENT

Mixed metal oxide from the early 19th century with an important place on the mineral palette because blues are rarely shifted to the cool, green side, like this one. Very muted in its tint so most valuable as a pure hue.

Pigment: Oxides of cobalt & tin (PB 35)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 6, OPAQUE

A medium, semi-transparent blue. Other Series 2 blues are transparent, so Robert Gamblin formulated this color for painters looking for more opacity at a reasonable price. Cerulean Blue Hue has a higher tinting strength than its namesake.

Pigment: Zinc oxide, Copper phthalocyanine (PW 4, PB 15)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, SEMI-TRANSPARENT

Warm blue first made for printmaking ink (cyan) to replace Prussian Blue in the 1920's. With clean, pure masstone and transparency, Phthalo Blue, like all modern colors, has high tinting strength.

Pigment: Copper phthalocyanine (PB 15:1)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, TRANSPARENT

Gamblin's version is an excellent recreation of the original color, successfully replacing an obsolete pigment. Cool, transparent blue with green undertone; especially useful for painting sky and water.

Pigment: Copper phthalocyanine (PB 15:4)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, TRANSPARENT

Perfect transparent marriage of blue and green, this transparent Turquoise has high tinting strength and makes a high key tint. Excellent for painting tropical water.

Pigment: Copper phthalocyanine, chlorinated copper phthalocyanine (PB15:2, PG 7)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, TRANSPARENT

An excellent, all-purpose blue with a beautiful, smoky glaze.

Pigment: Indanthrone (PB60) Vehicle: Alkali refined linseed oil Lightfastness I, Series 3, SEMI-TRANSPARENT

Historically used as a bole for gilding and as underpainting for flesh tones in Medieval painting (verdaccio), Terre Verte, or green earth, was made from volcanic celadonite and/or a mineral of sedimentary origin; Robert Gamblin mixed this color because true natural green earth pigment is unpredictable in color and availability. Gamblin Terre Verte is an excellent color for grisaille; it has a weak masstone and very muted tint.

Pigment: Natural hydrated iron oxide, hydrated chromium oxide, bone black (PY 43, PG 18, PBk 9)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, TRANSPARENT

Originally made from berries, this true lightfast color is a predictable mixture that can be easily warmed with Hansa Yellows or cooled with blues.

Pigment: Diarylide yellow HR 70, copper phthalocyanine (PY 83, PB 15:1)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, TRANSPARENT

A predictable mixed earthy green of the natural world that can be used opaquely.

Pigment: Iron oxide, Arylide yellow, copper phthalocyanine (PBr 7, PY 74, PB 15:1)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, SEMI-TRANSPARENT

First synthesized in 1859, nontoxic Viridian replaced Verdigris and Emerald Green as a glazing color by the turn of the 20th century. It has good tinting strength, its tint muted like colors of the natural world.

Pigment: Hydrated chromium oxide (PG 18)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 4, TRANSPARENT

A muted, earthy, very opaque green used by landscape painters.

Pigment: Anhydrous chromium sesquioxide (PG17)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 3, OPAQUE

A bright, light green mixture of Viridian and Cadmium Yellow. Opaque and useful to make muted colors of the natural world. No health labeling required.

Pigment: Concentrated cadmium zinc sulfide, hydrated chromium oxide (PY 35, PG 18)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 4, OPAQUE

An undervalued cool green with moderate masstone and very muted tint. No combination of blue and yellow will yield this unusual color of the American Southwest.

Pigment: Oxides of cobalt and zinc (PG 19)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 4, SEMI-TRANSPARENT

A dark bluish green more closely resembles Verdigris than Viridian. First manufactured in 1927, Phthalo Green has a very high tinting strength and transparency. Consider using Phthalo Emerald, a warmer and more natural-looking color.

Pigment: Chlorinated copper phthalocyanine (PG 7)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, TRANSPARENT

Had this warm version of Phthalo Green been made first, Phthalo Emerald would be a very popular color today.

Pigment: Chlorinated and bromated copper phthalocyanine (PG 36)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, TRANSPARENT

The color of the first shoots of spring grass-bright and warm.

Pigment: Arylide yellow, chlorinated copper phthalocyanine (PY 74, PG 7)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, SEMI-TRANSPARENT

An important color for painters who prefer the direct painting techniques of the Impressionists. This mixed color replaces the toxic arsenic-based original.

Pigment: Chlorinated and bromated copper phthalocyanine, titanium dioxide, arylide yellow (PG36, PW6, PY74)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, SEMI-TRANSPARENT

Natural calcined (roasted) earth pigment. More opaque today than 200 years ago. For greater transparency, consider Gamblin Transparent Earth Colors and Van Dyke Brown.

Pigment: Calcined natural iron oxide (PBr 7) Vehicle: Alkali refined linseed oil
Lightfastness I, Series 1, SEMI-TRANSPARENT

Vigorous drier due to high manganese content. Burnt Umber is useful as an underpainting drawing color. Because of high oil content, use thinly in under layers.

Pigment: Calcined natural iron oxide, containing manganese (PBr 7)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 1, SEMI-TRANSPARENT

Traditional earth yellow glazing color, originally mined in Tuscany. Consider using Gamblin Transparent Earth Yellow for more transparency.

Pigment: Natural iron oxide (PBr 7), Vehicle: Alkali refined linseed oil
Lightfastness I, Series 1, SEMI-TRANSPARENT

Natural iron oxide containing manganese (PBr 7)
Vehicle: Alkali refined linseed oil Lightfastness I, Series 1, SEMI-TRANSPARENT

Clay and silica colored with various kinds of iron oxides, ochre has been used in art-making media since earliest history. Muted earthy yellow brown with good hiding power and muted tint. For brighter color or more transparency, consider Transparent Earth Yellow.

Pigment: Natural hydrated iron oxide (PY 43)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 1, SEMI-TRANSPARENT

An intense, glowing, more transparent ochre that fills an important place in the Gamblin "Color Space."

Pigment: Natural hydrated iron oxide, diarylide yellow (PY43, PY83)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, TRANSPARENT

Originally a natural, more purple iron oxide imported from India. First synthesized in the 18th century as a "Mars" color, contemporary Indian Red is very dense purplish red with great hiding power.

Pigment: Synthetic red iron oxide (bluish shade) (PR 101)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 1, OPAQUE

(formerly called Iron Red Light) Also a Mars Color, Venetian Red is lighter, more of a brick red. Dense, with great hiding power.

Pigment: Synthetic red iron oxide (yellowish shade) (PR 101)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 1, OPAQUE

A transparent brownish-black. One of the most popular colors of the 18th century recreated by Robert Gamblin, whose version is true to historic working properties - but lightfast and permanent.

Pigment: Transparent Mars Red, Bone Black (PR 101, PBk 9)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 3, TRANSPARENT

Warmest Gamblin black. Good glazing color and useful for adding "gallery tone." Gamblin Van Dyke Brown, named for the great painter who loved this dark transparent color, matches the 18th c. original in masstone and tint but ours, unlike the peat moss-based original, is a permanent color.

Pigment: Bone black, iron oxide (PBk 9, PBr 7)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 1, SEMI-TRANSPARENT

A color prized by contemporary masters, this is a truly transparent version of Burnt Sienna. These new hydrated Mars colors give painters more clarity in transparency and higher tinting strength. Excellent for glazing.

Pigment: Transparent Mars Yellow, Transparent Mars Red (PY 42, PR 101)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 3, TRANSPARENT

This is a truly transparent version of Venetian Red. Add a small measure of a cool red like Alizarin Permanent or Diox Purple to adjust color for Indian Red.

Pigment: Transparent Mars Red (PR 101)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 3, TRANSPARENT

Transparent Yellow Ochre. Excellent for glazing.

Pigment: Transparent Mars Yellow (PY 42)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 3, TRANSPARENT

Warmest Gamblin black. Good glazing color and useful for adding "gallery tone." Completely lightfast and permanent, it's made from bone black and iron oxide.

Pigment: Bone black, iron oxide (PBk 9, PBr 7)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 1, SEMI-TRANSPARENT

A good, all-purpose black that's a solid choice for mixing greys, tinting, and mixing with other colors. Slightly warm in its transparency with a weak tinting strength.

Pigment: Bone black (PBk 9)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 1, SEMI-TRANSPARENT

A neutral, tinting black made from complementary colors rather than the usual carbon or iron oxide blacks.

Pigment: Chlorinated and bromated phthalocyanine, quinacridone red b (PG36, PV19), Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, TRANSPARENT

Slightly warm in its tint, this leanest (more matte) black dries more quickly than Ivory Black. Though not as black as Ivory Black, Mars Black has approximately three times the tinting strength and is very opaque. Cool in its masstone and strong, Mars Black is often the choice of the Neo-Expressionists and others who want to make black opaque marks in thick wet paintings.

Pigment: Synthetic black iron oxide (PBk 11)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 1, OPAQUE

This most permanent of blacks is the only truly neutral black in masstone and tint. Because of its pigment's crystalline shape, Black Spinel dries to a matte finish when no painting mediums are added. Long and ropey in texture, it contains no carbon. Costs as much as Cadmium Yellows - but well worth the money.

Pigment: Copper chromite black spinel (PBk 28)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 4, OPAQUE/MATTE

Pigment: Titanium dioxide, zinc oxide, bone black
(PW 6, PW 4, PBk 9)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, VALUE 8/OPAQUE

Pigment: Titanium dioxide, zinc oxide, bone black
(PW 6, PW 4, PBk 9)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, VALUE 6/ OPAQUE

Pigment: Titanium dioxide, zinc oxide, bone black
(PW 6, PW 4, PBk 9)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, VALUE 4/ OPAQUE

Coolest Gamblin black. Moderate tinting strength. Excellent match to popular watercolor.

Pigment: Complex silicate of sodium & aluminum, bone black with sulfur, synthetic iron oxide (PB 29, PBk 11, PY 42)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, TRANSPARENT

Made from real metal powder and an alkyd resin binder, Rich Gold is rose gold. Use it in place of gold leaf, painted over Venetian Red. Excellent for painting frames. Can be mixed with transparent oil colors or thinned out and used for a sparkling glaze. Thin with a combination of Galkyds and OMS. Do not thin with straight solvent.

Pigment: Bronze powder(PM 2)
Vehicle: Oil Modified Alkyd Resin
Lightfastness I, Series 4, OPAQUE

Made from real metal powder and an alkyd resin binder. Pale Gold is green gold. To use it in place of gold leaf, paint over Olive Green. Excellent for painting frames. Can be mixed with transparent oil colors or thinned out and used for a sparkling glaze. Thin with a combination of Galkyds and OMS. Do not thin with straight solvent.

Pigment: Bronze powder(PM 2)
Vehicle: Oil Modified Alkyd Resin
Lightfastness I, Series 4, OPAQUE

Made from real metal powder and an alkyd resin binder. Copper looks like crushed pennies. Excellent for painting frames. Can be mixed with transparent oil colors or thinned out and used for a sparkling glaze. Thin with a combination of Galkyds and OMS. Do not thin with straight solvent.

Pigment: Copper powder(PM 2)
Vehicle: Oil Modified Alkyd Resin
Lightfastness I, Series 4, OPAQUE

Made from real metal pigment and an alkyd resin binder. Excellent for painting frames. Can be mixed with transparent oil colors or thinned out and used for a sparkling glaze. Extend with Galkyds. Thin with a combination of Galkyds and OMS. Do not thin with straight solvent.

Pigment: Aluminum powder(PM 1)
Vehicle: Oil Modified Alkyd Resin
Lightfastness I, Series 4, OPAQUE

Pigment: Indian Yellow, Titanium dioxide, (PY 83, PW 6)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, OPAQUE

Pigment: Hansa Yellow Light, Titanium dioxide, (PY 3, PW 6)
Vehicle: Alkali refined linseed oil
Lightfastness II, Series 2, OPAQUE

Pigment: Phthalo Green Y. S., Hansa Yellow Light, Titanium dioxide, (PG 36, PY 3, PW 6)
Vehicle: Alkali refined linseed oil
Lightfastness II, Series 2, OPAQUE

Pigment: Phthalo Green, Phthalo Blue, Titanium dioxide, (PG 7, PB 15, PW 6)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, OPAQUE

Pigment: Ultramarine Blue, Titanium dioxide, (PB 29, PW 6)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, OPAQUE

Pigment: Dioxazine Purple, Titanium dioxide, (PV 23, PW 6)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, OPAQUE

Pigment: Quinacridone Red, Titanium dioxide, (PV 19, PW 6)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, OPAQUE

Pigment: Perylene Red, Titanium dioxide, (PR 149, PW 6)
Vehicle: Alkali refined linseed oil
Lightfastness I, Series 2, OPAQUE

A good choice where the color white is critical, our newest white-the brightest and whitest-was formulated for painters who want a "refrigerator white" white. Same tinting strength and opacity as Titanium White. Excellent for abstract paintings. Bright and opaque Titanium Dioxide is bound with safflower oil, the clearest oil binder. Because safflower oil is almost colorless, the bright white of the Titanium pigment shows through Radiant White.

Pigment: Titanium Dioxide (PW6)
Vehicle: Safflower oil
Lightfastness I, Series 2, OPAQUE