Extra-Heavy Gel - Increases body. Thicker consistency than GOLDEN Heavy Body Acrylic colors. The thickest of GOLDEN gels, along with the High Solid Gels.  Excellent for holding peaks and impasto techniques. Dries translucent. Available in Matte, Gloss, and Semi-Gloss.

Self Leveling Clear Gel - Produces an even film with excellent clarity. This gel has a unique resinous, stringy consistency resulting from the leveling property. This product dries to a flexible, high gloss film, which can increase the transparency and sheen, while imparting a leveling quality to other GOLDEN Acrylic products.

- is a specially formulated liquid medium designed to have longer working time than typical acrylic mediums. Very useful for fine art applications where subtle blending, subtractive techniques and similar methods are desired. Also ideal for decorative painting techniques. Available in Gloss and Satin.

A general purpose liquid medium useful for creating glazes, extending colors, enhancing gloss and translucency and increasing film integrity. Has a unique feel that is much more oil-like or resinous in nature and that promotes flow and leveling.

 - A liquid medium useful for extending colors, decreasing gloss and increasing film integrity. Useful for blending with GOLDEN Fluid Acrylics to decrease the gloss, without increasing viscosity.

- A general purpose, pourable medium useful for extending colors, decreasing gloss and increasing film integrity. Can be used as a ground, instead of gesso.

- Super Loaded Matte Medium is useful for reducing gloss. Because of its high level of matting agents, it will lower sheen of another product with a minimal addition, thereby changing other paint attributes the least, such as color strength and viscosity. Super Loaded Matte Medium should always be blended with other acrylic paints or mediums as this product is not intended to be used by itself.

- GOLDEN Airbrush Transparent Extender is a 100% acrylic binder system that is designed to modify GOLDEN Airbrush Colors for increased transparency and film hardness. Engineered to meet the highest standards of professional airbrush illustrators, Airbrush Transparent Extender possesses excellent spraying properties and is formulated to minimize tip build-up, clogging and surface defects.

- Designed for modifying the GOLDEN Fluid Acrylics for airbrush/spray application. Blends with minimal effort with the Fluid Acrylics to yield a paint mixture with the proper viscosity for airbrushing. Effectively decreases clogging and tip buildup during spraying, eliminating the largest drawback to airbrushing with acrylics. While designed with the Fluid Acrylics in mind, Airbrush Medium will also reduce the Heavy Body, Matte, High Load, Iridescent/Interference and Fluorescent Acrylics for spray applications. GOLDEN Mediums and Gessos can also be blended with Airbrush Medium for spraying.

- A water-borne system designed to blend with acrylic paints for silkscreen application. Increases working time and retards paint from drying in the screen. Safe to use with minimal odor. Mix 1 part Silkscreen Medium with 1 part GOLDEN Acrylic colors (Heavy Body, Matte or Fluid) and use this mixture to screen with. The Silkscreen Medium is not designed to impart opacity, hence the opacity of the mixture will be determined by the nature of color being used and the ratio of paint to Medium used.

A liquid acrylic polymer emulsion useful for diluting and extending colors as well as increasing flexibility and film integrity. Wets out solids more readily than other polymers and is useful for creating homemade paints.

A liquid acrylic polymer emulsion that is the hardest and least flexible of GOLDEN acrylics. Useful for increasing film hardness and reducing tack. Increases adhesion to non-porous surfaces; however some surfaces, such as glass and glazed tile, will not allow for a permanent bond. Used in its pure form, it is limited to applications on non-flexible supports. Generally recommend a maximum level of GAC 200 be 33% of the entire paint mixture.

A liquid acrylic polymer emulsion which dries to a hard, stiff film. When applied over a fabric support, such as cotton, linen or silk, the GAC 400 will serve to dramatically stiffen the support. This allows the artist to transform a lightweight fabric into a free-standing form that will hold its shape.

A liquid acrylic polymer emulsion with leveling ability, that forms a hard, glossy film. Useful for increasing film hardness and reducing tack, while maintaining flexibility. The hardest polymer that is suitable for flexible supports.

A liquid acylic polymer emulsion offering excellent film clarity, gloss, and reduced shrinkage. Useful for glaze applications. Exercise care to reduce foaming during application.

A liquid acrylic polymer emulsion that does not craze in pours/puddles. That is to say that it dries with the same uniform surface and dimensional integrity as when wet (other GACs will craze, developing shrinkage crevices running across the surface). Dries with good gloss and flexibility, but only moderate clarity. Useful to increase adhesion to chalky surfaces.

A liquid acrylic polymer emulsion which when heat-set offers a very soft hand and laundering stability. This product is most useful to artists painting on clothing. GAC 900 can be blended with various acrylic colors to produce fabric paints that can be airbrush, hand brush or screen applied. For a short video about this product

(Gloss and Matte) has a slightly softer feel than our Regular Gel (Gloss) and the same consistency as OPEN colors. It can be used for glazes and to extend the paints while maintaining working properties of OPEN acrylics.

(Gloss and Matte) has a lower viscosity and is used to extend paint and maintain properties when a more fluid mixture is desired to increase flow.
 
OPEN Gels and Mediums are compatible with Golden Heavy Body and Fluid Acrylic colors, as well as regular acrylic gels and mediums and will increase open time while altering their consistency.

Contains no binders and is used to thin the consistency of paint mixes without altering open time, or to maintain and adjust the workability of colors on the palette without the use of water mist and moisturizing palettes.