Select colors available in 250 ml tubes!Aging Medium - Part of one, two or three part process of creating works of art that look old by design. This medium will give paintings a uniform golden cast.

Colorless Painting Medium - will quicken the drying process. It gives luminosity and depth to the paint film and is ideal for painting smooth flat areas for it draws out brush marks reducing their appearance.

Cracking Varnish - This would be used as a secondary optional step. It may be used with or without having first used aging medium. The varnish creates cracks in the paint film by design.

Harlem Siccative Medium - speeds the drying of oil colors and brightens the hues of colors.

Flemish Siccative - this Copal resin based quick drying medium yields a paint film with an enameled-like appearance.

Oil of Spike Lavender - Use this medium to give body to the color as well as a certain amount of bite, which improves adhesion to the lower layers.

Patina Black - This black paste is used as an optional third step in the aging process. It gently wipes into the surface cracks created by the cracking varnish.


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J.G. Vibert retouching varnish L&B 75ml 

Retouching varnish is used to eliminate sinking (areas of a painting that become matt owing to the absorption of the resin and/or oil by the underlying layers). It is also essential when retouching old paint that has dried out, to ensure a link between the old layer and the new layer of colour. Finally, it is also used as a temporary varnish while waiting until the final varnish can be applied. Caution: Never apply the final varnish to an oil painting before 6 months to 1 year. The consequences are serious because any future varnish removal and restoration will become impossible. 



With acrylic and ketone resin,quick drying petroleum.


It contains the most resin with 25% dry extract after drying. 
Available in 75ml


 

$11.70
Quantity:

Satin picture varnish L&B 


The role of picture varnish is to protect paintings efficiently against dust, smoke, scratches, atmospheric pollution, etc. 
It is also used to give your paintings a smooth glossy or satin finish.


Caution: Never apply varnish to an oil painting before 6 months to 1year, so as not to cause the varnish and paint to knit together. The consequences are serious because any future varnish removal and restoration will become impossible.


To determine the varnishing degree of the glosses, the percentage of dry extract must be known: higher is the level, the more resin is deposited and therefore the more the varnish appearance is glossy. 
Some varnishes have a synthetic resin base and can be used for oil and acrylic painting. Others are made from natural resins and are only used for oil painting.


 


Acrylic and ketone resin, linseed oil, matting agent (silica), quick drying petroleum. 
Satin (24% dry extract), non-yellowing. 
Available in 75ml, 250ml bottles.


 

$0
Quantity: Options:

Clear matt picture varnish L&B 250ml 

Wax and dammar resin base, rectified turpentine. Can be combined with Dammar varnish to reduce the degree of mattness. 33% dry extract: the most pronounced matt finish. 
Available in 250ml bottles

$23.70
Quantity:

Anti UV picture varnish L&B 75ml 

A new liquid varnish for oil. Of recent formulation, it stops the destroying action of the Ultra-Violet rays by absorbing their energy. Thus, the pigments and the binders are protectedbetter in time. In spite of that, it is disadvised exposing in a permanent way in full sun any work of art, without having to revarnishit every year with this varnish. 


Available in 75ml. - Finish Brilliant Gloss

$14.40
Quantity:

Sun-bleached linseed oil L&B 250ml 

Extracted from linseed then clarified naturally by sunlight. It is the most siccative of the oils.
Available in 250ml

$15.80
Quantity:

Colourless Pinting Medium 250ml 
$28.20
Quantity:

Ageing Varnish L&B 75ml 
$13.70
Quantity:
Cracking Varnish L&B 75ml 
$13.70
Quantity:
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